Oct 172007
 

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A well known aspect of kung fu is its five animal forms. Each form is believed to be a surviving remnant of its respective parent style, that has been lost in history. In this article I will begin to give you a brief overview of these styles. Many of you out there may train in these styles – feel free to correct me as this is merely a compilation of information. According to legend, it was a Shaolin monk named Jueyuan and Li Sou who took the 18 Luohan Hands techniques, expanded them to about 170, then organized them into what we now know as the five animal forms.

The Snake

The snake is a calculating, patient animal. It waits for its prey, then when the moment is right, strikes quickly and precisely. This is the nature of the snake style. It flows around its opponents defenses. It is known for rapid fire strikes. The strikes of a snake style practitioner are extremely precise, striking his or her opponent’s soft spots. Students learn to use energy from their tan tien, out to their fingertips. This gives their strikes power. Because of this internal focus, breathing is an integral aspect of training in the snake style.

The snake evades attacks in a different manner than that of the crane style. The crane will hop out of the way, but the snake will simply yield, bending the body out of the way, or around the strike. By evading in this way, the snake finds itself behind its opponent’s yang energy where it can make rapid strikes to the unprotected parts of the opponent’s body.

 Posted by at 5:50 pm
Sep 142007
 

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One of my favorite aspects of training is the kung fu form. I only know seven forms currently – four empty hand and three weapons forms – but I love them all. I’m pretty good at them, until I go to work them with a partner, then they begin to get ugly. But they are getting better. So what is the purpose of spending so much time and sweat on forms?

First, forms are like workbooks. They are a collection of movements that represent various martial applications. For example, from a snake hand block, we learn the snaking technique. We can take this movement and apply it in various other instances. Because we have the form memorized, we take this workbook with us everywhere. Because forms require constant work for us to improve at them, our memorization of them is reinforced and the techniques are more deeply ingrained into our mind and muscle memory.

Second, forms help to build our basic stances and the strength and stamina that goes with them. When forms are worked very slowly, deep horse stances and others are worked. Leg muscles and the ability to hold these stances for long periods of time are improved.

You can work your forms in different ways, to achieve different goals. You can run through forms relaxed, and make them a sort of meditation, or you can run through the movements using dynamic tension to build strength and endurance.

Are forms all there is to training? Of course not. There are many facets of training. Your journey will continue as long as you are alive, so obviously the scope is utterly immense. There is always more to learn. You need to work at applying the techniques learned in the forms. This is done by working with others, learning to let the techniques come out of you in the moment.

 Posted by at 5:51 pm
Aug 172007
 

Where have the heroes gone? I don’t mean to belittle those great individuals out there, selflessly putting their necks out for others, but they seem to be in short supply. How many times do we turn on the television and hear stories of people (sometimes even young children) getting hit by cars, and the individual simply drove off? These are average people that simply drove off leaving someone for dead! Isn’t that behavior that we would expect to see in the odious ‘bad guys’ in movies? Have we lost our regard for life? I could get real controversial here, but this isn’t the right forum for positing a theory on how we have lost our sense of respect for life.

What is the Solution?
I don’t think that martial arts is the elixir that can step in and fix societies woes. Honestly, I am completely at a loss regarding the specific example above, but in the case of hateful, bully like behavior, is it possible that martial arts could provide some help? Where does a person’s character emanate from? Doesn’t true integrity come from the inside out? In a world that values only empirical data, all we would see within us is organs. Our integrity, our morals and character originate in a place beyond the reach of science and mathematics. Can martial arts help us to hold a mirror up to our soul? And if so, how does that work?

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Trust
If martial arts can help us put our character into perspective, perhaps one reason this is so is because of trust. When we are training, everyone is vulnerable. Youneed to be able to trust that your partner will exercise some self control. Students come into close contact with many other people and we all have to trust that other students will give us respect and decency. Unlike virtually any other area of life, we are “bonding” with others on an uncomfortably personal level.

Ownership
In a healthy training environment, every student is a teacher and every teacher is a student. Simply holding a pad for someone to kick, is an act of teaching. You are able to watch what the other student is doing and offer advice and corrections. You can hold the pad in such a way as to simulate a more realistic ‘fight’ scenario. This alone puts selflessness into practice. Even if it isn’t truly character (because it is simply an outward action), in simply going through the motions we may learn the value of such character. Because we are all teachers as well as students, we can feel a sense of true ownership. Our school, kwoon, dojo isn’t simply a place we go to train – we are all part of that training. Each student is making daily contributions to the ancient teaching that are being carried down from teacher to teacher. That is a pretty amazing thought. None of us may ever become ‘masters’, but even if we don’t, we too have contributed to the teachings that will be passed down through the centuries after us.

In Conclusion
I think that indeed, martial arts can be for us a mirror that shows us what we look like on the inside. But it depends on the student, it depends on what you want to get out of your training. Those with a passion for the teachings, a desire to help others grasp the truths taught in their chosen style, they will be the students who may, in the end, learn to defeat themselves and come out of the kwoon a better person.

 

 Posted by at 5:47 pm

Five Animal Style

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Aug 122007
 

A well known aspect of kung fu is its five animal forms. Each form is believed to be a surviving remnant of its respective parent style, that has been lost in history. In this article I will begin to give you a brief overview of these styles. Many of you out there may train in these styles – feel free to correct me as this is merely a compilation of information. According to legend, it was a Shaolin monk named Jueyuan and Li Sou who took the 18 Luohan Hands techniques, expanded them to about 170, then organized them into what we now know as the five animal forms.

The Leopard

The leopard style is characterized by fast, powerful bursts of attacks. It builds speed and strength in its practitioners. This is where development of the fast twitch muscles comes into play. It is narrow and utilizes tricky footwork. The leopard strikes its opponent with lightning speed, overwhelming them with powerful strikes, then it retreats before its opponent has time to react. The leopard punch is characteristic of the leopard form. This is done by creating a fist, bending only the first and second knuckles of the fingers. This requires conditioning of the second knuckle and strengthening of the fingers. One conditioning technique includes doing pushups on leopard style fists.

Some schools do not list the leopard with their animal forms, even though it is one of the original five. I have seen one school that lists six animal forms; Tiger, Mantis, Snake, Crane, Monkey and Dragon.

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 Posted by at 5:49 pm
Jun 172007
 

I realize that this topic will probably step on some toes, but it was actually inspired by a discussion I have recently had with Mr Gibbs (who is training in Tai Chi Chuan) where he suggested writing an article around such a question. The title is a little misleading, in that the question is a bit larger than that. Every martial art style can reasonably be asked this very question. Unless we are stepping up onto a platform, without pads, authorities or rules, how can we possibly say that our training or sparring is teaching us to deal with real world scenarios? Even the platform pulls us out of the ‘real world’. Of course it’s not like we can simply go out and pick fights with people in bars, clubs, on the street etc, and call it training. In light of this, none of our styles truly train us in real world situations. So in using the wordmartial in martial arts has a slightly different meaning. Here I am referring to techniques that can feasibly used to subdue or injure an opponent. An example of what I DON’T mean here are some of the moves in styles like modern Wushu that are so showy, were a person to attempt to apply them, they would be countered well before they are done executing the technique.

More Specifically…
Perhaps more specifically, can training martial arts moves without ever sparring, without ever performing the moves ‘at speed’ produce in the practitioner the ability to use said techniques in an actual fight scenario? I have heard stories of the amazing power that long time Tai Chi masters can generate, and I do not doubt these stories. But if these masters were jumped on the street, would their training be a noticeable asset to them? This is a good question for students like me, who are inspired by forms / katas and are far more skilled at these than sparring or other ‘applied’ training. Can forms work develop skills that will help in fighting? Before answering, we need to remember that there have been studies that show a perceived activity offers huge benefits, like the actual activity itself. I will cover this information in future articles, but it seems that science would argue for at least the possibility that forms or katas could instill skills that would aid in an actual sparring match.

The Benefits of Slow Movement
While I do not know any measurable amount of Tai Chi, I do often work through my forms at a ‘Tai Chi’ speed and I have seen beneficial results from it. As I move slowly through my forms, I am able to see what stances I am doing and how well I am doing them. At such speeds you cannot get away with simply fudging over a move you aren’t entirely certain about. It forces you to learn and remember every move in the form. But as far as a direct correlation between this and my sparring abilities, I haven’t seen anything noticeable. Then again, progress in kung fu is usually something that can only be seen when looking back through months and years of hard training, so it’s difficult to tell. I do know that working my self defense combinations in a ’shadow boxing’ style (out of necessity, as I don’t have a training partner in my home) has improved my confidence when sparring other students. I no longer feel entirely awkward when I step out onto the floor.

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Brutal Moves
I know about a quarter of a Tai Chi form, this is the most we have learned in the Tai Chi style in my kwoon. It is a Chin Na form, and when we learned the martial application for each move, I realized just how vicious every step was. But each move is executed slow and smooth, and the moves are hidden behind abstract versions of the moves. But the knowledgeable student can easily visualize what he or she is doing to his or her opponent, and therefore reap the benefits of mentally running through the martial application of the form.

In Conclusion
Unfortunately I am not knowledgeable enough to comment on the applicative efficiency of Tai Chi. I would be very interested in hearing from the Tai Chi practitioners out there. I Tai Chi a training in martial arts, or is it more of a health, centeredness, personal strength exercise? I know that it builds a centered foundation, and teaches its students to gather and utilize qi, but are these skills that can, via Tai Chi training, be transferred over to a fighting situation?

In time, when Mr Gibbs is at a level of mastery that he can teach his skills to others, perhaps he would be willing to teach me more of this fascinating style.

 

 Posted by at 5:46 pm
May 152007
 

A well known aspect of kung fu is its five animal forms. Each form is believed to be a surviving remnant of its respective parent style, that has been lost in history. In this article I will begin to give you a brief overview of these styles. Many of you out there may train in these styles – feel free to correct me as this is merely a compilation of information. According to legend, it was a Shaolin monk named Jueyuan and Li Sou who took the 18 Luohan Hands techniques, expanded them to about 170, then organized them into what we now know as the five animal forms.

The Dragon

The dragon form is primarily an internal form, built in speculations of how dragons would behave were they to exist. It is elusive, it disappears from where the opponent thinks it is, only to reappear. This elusive behavior is used in defense and attacking. It uses evasion to confuse its opponent, waiting for strikes then moving out of the way fractions of seconds before its opponent’s attacks hit their target. The dragon form is typically performed at slower speeds than the other animal forms. Since internal power alone is not enough, it is not entirely internal. External conditioning is also done. It combines the external power of the other four animal forms, then gives them a more internal application, giving the moves more power. The dragon’s footwork is a zig zag motion, mimicking the snakelike movements of the legendary creature.

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 Posted by at 5:48 pm

Shaolin Training

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Apr 172007
 

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Excerpts from the book “The Monk from Brooklyn” were published on the Martial Arts Explorer web site. The links back to Antonio Graceffo’s web site are broken, but I tracked down two articles that he has published regarding the book. I haven’t explored these two articles yet, but the list of ‘prerequisits’ before training at Shaolin make for a very interesting read.

Most of us will never even see Shaolin, let alone train at any temple. While it would be amazing to be able to train there, I believe that it is up to each student to determine their own level of training intensity. To paraphrase – the teacher can lead the student to the door, but it is the student who determines how far inside they will go. Since we may never have the opportunity Mr Graceffo has had, what is the point of reading such a list of helpful hints? As I read the list, I am impressed with the amount of dedication just in attempting to train there. Most of us simply hop in our car and drive a bit to our training facility (kwoon, dojo, etc), and fork out some money every month. Are we dedicated enough to do even half of the things that Mr Graceffo has done in order to train at the Shaolin temple? These are some of the steps he had to take:

  • Learned the language
    He first learned Chinese. For most people, this alone is a daunting task, unless they have learned some during their schooling. He is also adamant in pointing out that you will not just ‘pick it up’ by staying there. This item alone is a major commitment.
  • Money
    To earn money, he suggests working in Taiwan, teaching English. This requires a BA. For those of us with meager educations, this too is an amazing feat that would require years of expensive hard work. But if you follow his route, you only have to work part time, so you have lots of free time for your training / language learning etc.
  • Getting Your Visa
    Then there is the pleasure of jumping through all of the Visa hoops… flaming, razor wire-lined hoops. You will need to find out what the Chinese government’s current requirements and regulations are. To make this simple, you can use a travel agent – this will of course cost you still more money.
  • Finding the Correct Temple
    Just finding the Shaolin temple can be tricky. He points out that there is a phony Northern temple that is essentially a trap for foreigners. If you are OK with staying in a nice hotel and only training about 2-3 hours a day, and you don’t mind the high prices – then the “Shaolin” temples will be just fine. For the real deal you need to find the temple at Deng Feng, Henan.

The Living Conditions
All of this is simply in arriving and training at the temple. None if it takes into account the living conditions at the temple itself. You will be sleeping in military style barracks. There is no running water, and each student has two uniforms. So the temple is dirty, and stinky. On top of all this the food is bad, as you can imagine.

Conclusion
I am very impressed with the amount of dedication anyone who endeavors to train at Shaolin has. I think that pushing our own level of commitment above that of simply putting in a few hours a week and paying for the training would be a good thing for the serious student to do. I know that I will be buying Mr Graceffo’s book, I would be interested in hearing how much of the regimen he outlines.

 Posted by at 5:50 pm
Mar 172007
 

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It is an interesting connection that we all know is there. Martial arts and the various faiths of their founding masters are intricately intertwined. This connection is romanticized and exaggerated in movies and stories and the legends surrounding each style’s origins. Of the martial arts origins I have read, Kalaripayattu seems to be the most steeped in larger than life gods and mythological stories. Other martial arts tell stories of people who’s training allowed them to perform super human feats, and their training is typically described as being inseparable from their faith. Today there are typically only two places that the issue continually comes up:

Temples
Training in temples. The fabled Shaolin temple isn’t the only temple that passes on martial arts training. There are martial arts ‘temples’ (I use single quotes to include those that aren’t really temples, but are so rich in rituals, meditation etc so as to be very similar) all over the world. These schools are a great resource for those who share the temple’s faith. They have a place they can go to not only train, but grow in their faith. In an actual temple setting, students get the added benefit of the sheer amount of time spent training.

Objections
Another common place that the issue is brought up is when a person has reservations about martial arts due to a perceived (or actual) conflict between the training and their own faith. This discussion on the WLE forum is a good example of the interchange on both sides of the question. Since the origins of Chinese martial arts are typically founded by Buddhists or Taoists, atlas1212 has a legitimate concern, and he should ask himself if his chosen martial art would be in conflict with his faith. If it is, he will be fighting against himself, and he will have to choose one or the other – it will just work out that way.

Where Does the Integration Come From?
Where does this faith/martial arts intertwining come from? We can say that it is because the various martial arts are so ancient, back when they were formed people were ‘religious’, now they are not. I think that this is an empty argument. Throughout all of history, into today, everyone has a world view that they use to interpret the world around them. This has not gone away in today’s secular society, it has simply changed. But, I do think that this explanation is close to the truth. I want to get into it in much more depth in a future article, but I need to at least touch on it here…

Culture and Isolation
I think that the integration of faith and martial arts is actually more of a reflection of culture than of the particular faiths in question. The frustrating irony of culture is this – it can only thrive in isolation. I hear it a lot – America has no culture. I think this is unfair, because it seems to me that it isn’t so much the fast food, or the business culture, or suburbia that is the cause of this. America is an ‘open’ society. The culture is made up of any culture that wants to join in. This is not a bad thing, but how could any identifiable culture emerge from a massive muddy mess of any culture you could think of? A nation with closed walls around it, through time will develop its own unique, identifiable culture. Without outside influence, it would be able to achieve a common faith a common life style. Why was Shaolin so amazing? Because within its walls, a culture was developed, there was a common thread in everyone there – martial arts. The entire culture consisted of martial arts and Buddhism, there was nothing else. I believe that it was this type of a complete submersion into faith and martial arts that built the foundation for the integration of the spiritual and martial arts training.

In Conclusion
Just as it is up to the student to determine their own goals in their training, so it is with the integration of faith and martial arts. If you simply want to learn to fight, it is a non issue for you. Even the serious student need not stress about this issue, unless they are training within a temple (as that is akin to training at a church – of course you will be taught the faith of the temple etc). I think that many teachers are understanding in this regard. If there is a Qigong exercise I object to and respectfully let me Sifu know, he is very understanding. This situation hasn’t arisen in my training yet, when we do any meditative style exercises, I usually take the opportunity to focus on memorization or prayer. I simply adjust my training so that it is in harmony with my faith, so that both help each other. I learn things from my faith that help my training, and vice verse. If you cannot reconcile the two, perhaps you should look for a different style that will be more compatible with the beliefs you are striving to live your life by.

 Posted by at 5:47 pm

Change in the Air

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Mar 152007
 

I remember hearing a Dead Can Dance song about a tree. It uses the changing of seasons, the falling of the leaves to demonstrate the need for change. While the world around us changes, here we remain, stuck. Out of fear, we stay unwilling to change. Unwilling to take flight. This indifference is described as a plague washing over the land. I have always wished that I could sit at a table with a cup of coffee and talk to the band about this song. It seems to me to be only one half of a good story. But because it is only half the story, it is lacking.

Change is good, even in ancient teachings like kung fu and other martial arts. We see constant change, constant invention even as we cling to the traditional teachings. This is a far more balanced picture in regards to change. In looking at the lyrics to Severance we glean that the band sees no value in holding onto the past. Is tradition bad? Is it really a plague that bathes the land? Or is it simply one half of a whole? Change isn’t always good. Change for the sake of change is meaningless, and possibly more harmful than remaining entrenched in the ’same old’. If we take traditional martial arts and revamp it just to revamp it (and possibly gain some kind of market value from the change), have we added to the traditional teachings?

I do web and software development for a living and if I were to constantly change my code just because I was bored, it wouldn’t improve the application or web site, it would simply become a jumbled mess. This is completely different than seeing an opportunity for improvement and looking for ways to make that happen. That is what we do in martial arts. We learn basic techniques and as we learn them and practice them, we contemplate how they could become more effective. By exploring and thinking about the technique, we can improve upon it in time. This is where Dead Can Dance are right on the money. We need to be open to change… to a certain point.

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Take the changing of the seasons for example. Each season is change, it’s new. The old seasons are left behind. Old leaves dry and crumble into dust. But, the actual cycle of the seasons hasn’t changed. The migration of summer to fall to winter to spring to summer remains unchanged, even though the leaves are all different. The current summer will never be again, it is in the past – but summer will come again. The root, the foundation of the seasons is constant, it doesn’t change. But without it, the change of seasons wouldn’t be. This is how only half of the story falls apart. Blind entrenched tradition is dead, but so is mindless change without any sense of foundation.

The trees are able to blow in the wind, because they are rooted into the ground. Likewise, without wind, there would be no need for the roots to dig into the ground. Like yin and yang, science and faith, male female, day and night – change and tradition are not enemies, they work together to form a harmonious, co-beneficial whole. I would like to ask Dead Can Dance why they feel that only half of the story is worth telling.

 

 Posted by at 5:45 pm
Aug 172006
 

In the Martial Arts Snobbery article, I mentioned the famous scene in Fearless, the ‘tea with Tanaka‘ scene. That scene crossed my mind today, and I realized other applications that may not have been intentionally conveyed in this scene (so much like doing forms, they continually teach you).

Society in general seems to have a difficult time finding a balance in regards to disagreeing with others, and still getting along with them. I believe that in the past (and certainly, at times still) we were way too far in one direction. We accepted nothing outside the realms of what society as a whole deemed as proper. But now (in general), we have gone too far the other direction. We love to watch heroes – people who stand up against all odds for their cause. But in our own lives, this is frowned upon. Why?

The problem with taking a stand, all too often is how we do it, or more importantly - why. I will take martial arts as an example. The basic goal is similar from one style to another. But a person, fairly knowledgeable in various styles, could reasonably state that one style achieves this goal better than another, backing that claim with facts or arguments that support it. This opens the topic up to discussion. Not simply writing off a style as worthless, simply because you are not learning that style.

What I noticed in the ‘tea with Tanaka’ scene was this:

They both were students of different martial arts, therefore each one chose their particular style over the other. But they were able to respect each others’ styles – even though they remained students of their own given martial art. I believe that is the balance that society needs to find. A position that doesn’t expect people to become one muddy mesh of every view, but people devoted to their positions, yet able to respect those of other positions. We may not agree, and maybe we never will, but we can have tea together.

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 Posted by at 5:52 pm